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Wassily Kandinsky
"Color is the key, the eyes are the hammers, the soul is the piano with its many chords. The artist is the hand that, by touching this or that key, sets the soul vibrating automatically."
Here is a collection of my paintings. Hope you enjoy!
Friday, April 15, 2011
Tuesday, March 22, 2011
Artifacts
Click on the link above to see one of the books I have written. In this writing I question the purpose and function of art, as well as what art means for the viewer.
Richard Wagner's Lohengrin
This is part of one of the most fantastic pieces of music! I love listening to this song as I paint. I find it very inspiring!
Compositions
This link will take you to a gallery of all the paintings in my series of Compositions. These are the paintings I painted to music.
This link will take you to a gallery of all the paintings in my series of Compositions. These are the paintings I painted to music.
This is the painting Haystacks at Giverny by Claude Monet. The impressionism in this painting really struck me and is one of the reasons I began as an artist.
This is another book that I wrote. This book is about the elements of point and line used as an expressive "language" vs. objective art.
This is the Bauhaus School of Art and Design in Germany, where I worked and taught for many years.
The Solomon R. Guggenheim Museum. This museum in New York City holds the largest collection of my paintings.
This is a photo of myself, taken from around the time I first started working at the Bauhaus in Germany.
This is a photo of me with my painting Dominant Circle in 1936.
Friday, March 11, 2011
Introduction
Почему привет! Добро пожаловать в Баухаус. I am Wassily Kandinsky. I teach and experiment here at the Bauhaus. My most recent project is an experiment using music. I listen to music as I paint and I paint how the song makes me feel. I see each note as a color. You might have seen this in my work "Composition VI". You see I am the first person to paint in a style called abstract in which the painting expresses the inner emotion of the artist rather than the reality of the world.
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